The New Colossus
By Emma Lazarus
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”
This, of course, is the poem inscribed on a plaque at the base of the Statue of Liberty. It is a stirring, moving testament to the ideal of and belief in the United States as a haven for newcomers. The last few lines are quoted frequently; they come up in almost any discussion of immigration.
Yet today, terrorism and wars and natural disasters are creating not only a crisis of refugees, but also a climate of fear. In that climate, some Americans seem to think Lady Liberty ought to lay down her “torch of world-wide welcome” in favor of laying bricks to build a wall. In that climate, I’m not sure that glibly repeating Emma Lazarus’s words is all that helpful.